Where is the money? How to get funds to make a show? What is investor or even government are looking for when presented with a project?
(GMT+9) | Title | Presenter | ||
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[Session#1] | 11:00 - 12:00 | Media Financing | Jessie TAN andfour others | LIVE |
Where is the money? How to get funds to make a show? What is investor or even government are looking for when presented with a project?
·Malaysia ·Shin Associates ,Managing Partner
Her expertise and forte lies in the field of intellectual property as well as in general commercial and corporate law, with a special focus in the application of these laws to the entertainment, arts and media industries. In relation to matters relating to telecommunications, media and technology, Legal500 has stated that “Jessie Tan is the name to note” Jessie has been an integral part of Malaysia’s creative industry through her involvement as legal advisor to the animation, games, creatve content, music, the performing arts, production house ant theatre companies in Malaysia and particularly in her role as production attorney to numerous major international film and television productions that have filmed in Malaysia and Singapore
·Hungary ·The Scout Ltd ,Line Producer
·Malaysia ·Iskandar Malaysia Studios, CEO
·United States of America ·Lucky Porter Films, President
·Malaysia ·Creative Content Association Malaysia(CCAM), CEO
[Session#2] | 13:00 - 14:00 | Documentary-Is there enough in terms of materials and interests | Lev ABRAMOFF andthree others | LIVE |
Is there any more interests in documentaries? There are just not many channels out there that are buying and the price of the shows are very much the same. Even national broadcasters are not buying enough. Is it meant to be niche?
·United States of America ·Banca Studio, Director of Development
·Singapore ·Bifrost Media Pte Ltd. CEO
·United States of America ·Director of International Sales
·India ·Darpan Global, CEO
[Session#3] | 14:15 - 15:15 | International Distribution | Eric LAPOINTE andthree others | LIVE |
With the birth of OTT, distribution has taken into a new form. Distribution is not like in the past and there are more “tailored-made” show in the market. Where is Distribution heading to? How will it evolved in the new era? How will the existing distribution faced the new competition? How do they find a niche for themselves?
·Canada ·And Now Global, President
·United States of America ·Entertainment Studios, President of International Sales
·Turkey ·Co-Founder/ General Manager
·Germany ·Beta Film GmbH, VP of International Sales&Acquisitions
[Session#4] | 15:30 - 16:30 | Animation for the new generation | Robert F HUGHES andfour others | LIVE |
The new generation has so many choices nowadays. How is the animation industry facing the new challenges? What is the path to go? OTT or Traditional? How to target new audiences? What about the adult animation world? Is it a market?
·United States of America ·Fuzzy Mae Productions, Director/Writer/Producer
·Philippines ·Synergy88, Managing Director
·Singapore ·Robot Playground Media, Managing Director
·Korea (Republic of) ·Storyberry Inc, Producer/Director
·China/br> ·Zhejiang Zhongnan Animation Group Pte Ltd, Head of Global Divison
[Session#5] | 16:50 - 17:50 | OTT the new future of TV? | Jyotirmoy SAHA andfour others | LIVE |
OTT, is it the new future of TV? What is the challenges out there? With more choices and more platforms out there, how to stand out? Will social media play a part in sharing this new media? How can OTT survive before it reach the surface?
·Singapore ·August Media Holdings Pte Ltd. CEO
·Indonesia ·MVP, Global COO
·India ·Zee Entertainment Enterprises Limited,Business Head- Global Syndication & International Film Distribution
·Singapore ·Motion Content Group, Managing Director
·Indonesia ·Emtek (PT. Elang Mahkota Teknologi), Managing Director
(GMT+9) | Title | Presenter | ||
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[Session#6] | 10:00 - 12:00 | KOREA CONTENT VILLAGE PART 1,2 | KOREA CONTENT VILLAGEPart 1,2 | LIVE |
KOREA CONTENT VILLAGE PART 1 , KOREA CONTENT VILLAGE PART 2
[Session#7] | 13:00 - 14:00 | TV, the setting Sun - a reality or a myth | Emilia Cristina TUBONGBANUA andthree others | LIVE |
Again, with the birth of OTT people are saying that traditional TV is a setting sun business, is it reality or just a myth? How is the existing operators fight against the new competition? How are they making the business profitable? How will it stand out to new competition?
·Philippines ·Viva Communications, Inc. Head of Licensing and Acquisitions
·Indonesia ·Indonesia Entertainment Group(IEG), Vice President
·Indonesia ·PT. Metropolitan Televisindo, CEO
·Thailand ·Mono Group, Acquisition Manager
[Session#8] | 14:15 - 15:25 | Global Expansion of OTT and Outlook Post COVID-19 | Gwangjae KIM, Daekyun JEONG andtwo others |
LIVE |
Diagnose changes in the media content environment triggered by Corona 19 and predict how markets and operators will respond and how they will balance the market environment to be sought.
·Korea (Republic of) ·Hanyang Cyber University, Professor
·Korea (Republic of) ·KT, Team manager
·Korea (Republic of) ·Soonchunhyang University, Visiting Professor
·Korea (Republic of) ·D'Live, Team manager
[Session#9] | 15:40 - 16:50 | Youtube Trend and Survival Strategy Post COVID-19 | Sang-Ho LEEJeonggi AHN andtwo others | LIVE |
Organize content trends in the changing ecosystem of YouTube around Covid-19. I would like to discuss various issues of YouTube that have recently emerged.
·Korea (Republic of) ·Kyungsung University, Professor
·Korea (Republic of) ·'How ordinary people became extraordinary, influencer' Author
·Korea (Republic of) ·LAM STUDIO, General Director
·Korea (Republic of) ·Treasurehunter, General Director
[Session#10] | 17:00 - 18:00 | Future Strategy of Media Content Industry Post COVID-19 | Jay CHOISoo Hwan KIM andthree others | LIVE |
It is going to introduce cases of overseas expansion of contents businesses during the Korona era and seek various strategies such as promoting global linked businesses.
·Korea (Republic of) ·WarnerBros. Pictures International Korea, VP/Head of Local Production
·Korea (Republic of) ·SBS Global Contents Biz, Vice President
·Korea (Republic of) ·STUDIO DRAGON, Chief Producer
·Korea (Republic of) ·Entermedia Pictures, CEO
·Korea (Republic of) ·SK Telecom, Content & Studio Team Leader
(GMT+9) | Title | Presenter | ||
---|---|---|---|---|
[Session#11] | 14:00 - 14:20 | Strategic Changes to Broadcasting in the Untact Era | Hun Hee LEE | LIVE |
Sharing experiences of producing non-face-to-face content through ‘Korea Again-NA Hoon-a’
·Korea (Republic of) ·KBS,Content Production 2 Division Executive Managing Director
[Session#12] | 14:30 - 14:50 | Hallyu Culture Dissemination in Brazil | Monica PLACHA | LIVE |
This presentation's main focus is to show that although Korean Culture has arrived in Brazil, the genre has not been fully popularised yet. My aim is to find ways to make this happen. Brazil has 210 million people and Hallyu Culture has reached a small percentage of this large population. We intend to show that it is very possible to expand this dissemination through localising the content to the native language, Portuguese.
·Brazil ·Vitor Placha Rashbold Produções & Dublagens, Content Director
[Session#13] | 15:00 - 15:20 | Changes of Drama industryin the Untact Era | Mee Jee LEE | LIVE |
Fast-growing OTT platform based on Un-tact market. Changes in drama production due to advertizing scale-downWin-win strategy for K-drama
·Korea (Republic of) ·APOLLO PICTURES, CEO
[Session#14] | 15:30 - 15:50 | Content Trend Analysis and Report | Kyongdal KIM | LIVE |
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·Korea (Republic of) ·NEOTOUCH POINT/NEOCAP, CEO
[Session#15] | 16:00 - 16:20 | Future Prospects of Media Market | Amanda GROOM | LIVE |
Presentation on the future of television distilling current trends and predicting future changes and adaptation to current market trends.
·United Kingdom of Great Britain and Northern Ireland ·The Bridge, Managing Director